Longer fast primes can give you that tiny depth of field that gives that lovely separation between the subject and background. Pair with a bounced flash (assuming you’re indoors)* and you can get gorgeous images.
Downside is if you’re in a smaller area, a longer lens can make it tricky to frame up properly (you may find yourself trying to become one with a wall). A shorter zoom can give you a bit more flexibility (forget a big range zoom, they’re too slow and you won’t use half of it).
*Read it back, you’re outside! A diffused flash (ideally off-camera) can give you that nice separation closer up even with a slightly slower lens. I would try the 15-35, and a flash with an extension cord (and a diffuser attachment or bounce card!). Flash can also ensure you get a nice shutter speed (dunno what the shutter sync is on a R10, but you should be fine with the hand shake), and maybe a decent pair of gloves in case it gets cold as the night goes on!
Longer fast primes can give you that tiny depth of field that gives that lovely separation between the subject and background. Pair with a bounced flash (assuming you’re indoors)* and you can get gorgeous images.
Downside is if you’re in a smaller area, a longer lens can make it tricky to frame up properly (you may find yourself trying to become one with a wall). A shorter zoom can give you a bit more flexibility (forget a big range zoom, they’re too slow and you won’t use half of it).
*Read it back, you’re outside! A diffused flash (ideally off-camera) can give you that nice separation closer up even with a slightly slower lens. I would try the 15-35, and a flash with an extension cord (and a diffuser attachment or bounce card!). Flash can also ensure you get a nice shutter speed (dunno what the shutter sync is on a R10, but you should be fine with the hand shake), and maybe a decent pair of gloves in case it gets cold as the night goes on!